Upcoming Events

Young People’s Concert: Where in the World is the OPO?
Oct
8

Young People’s Concert: Where in the World is the OPO?

  • Dr. Phillips Center – Walt Disney Theater (map)
  • Google Calendar ICS

Program:

Lalo Schifrin/arr. Custer– Mission: Impossible Theme (excerpt)

Samuel Coleridge-Taylor– Dance from Othello Suite

José Elizondo– Teotlalli (Land of Gods) from Estampas Mexicanas

Jacques Offenbach– Can Can from Orpheus in the Underworld (with the Orlando Ballet)

Soon Hee Newbold– Warrior Legacy (excerpt)

Giacomo Puccini– Musetta’s Waltz from La Boheme (with Opera Orlando)

Laura Pettigrew– Dòchas

Carlos Gardel/arr. Garetto– Tango por Una Cabeza (excerpt) (with Orlando Ballet)

Wolfgang Amadeus Mozart– Der Vogelfanger bin Ich ja from The Magic Flute (excerpt) (with Opera Orlando)

Lin-Manuel Miranda/arr. Campbell– How Far I’ll Go from Moana

The Orlando Philharmonic Orchestra is in trouble!

The evil, anti-musical mastermind, Dr. Monotone wants to take over the world and put an end to music forever with his new weapon: The Monotonizer 3000. This powerful device is capable of transforming all the musical notes that ever existed into one, singular, ear-piercing, terrible-sounding honk. What would our world be with one note, one instrument, one culture, one language?

Our narrator, a brand new spy on her very first mission under Maestro Enterprises Inc., has T-minus 45 minutes to travel the world in search of Dr. Monotone’s secret lair. Grab your high tech gadgets and spy gear as we explore cultures and countries for clues. Only with the audience’s imaginations, problem-solving skills, and musical insight will we be able to prevent the end of diversity in music as we know it!

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Dr. Phillips Center Presents: Andrea Bocelli
Oct
9

Dr. Phillips Center Presents: Andrea Bocelli

Celebrated for bridging opera and contemporary music throughout his illustrious career, vocalist Andrea Bocelli returns to Kia Center for one night only. The internationally renowned Italian tenor and songwriter will be joined by the Orlando Philharmonic Orchestra to bring his beloved repertoire of songs to the stage. Andrea’s breakthrough came in 1994 when he sang “Miserere” with Luciano Pavarotti. His 1995 album Bocelli marked his international debut and launched him into global stardom. He is celebrated for his powerful and emotive voice, which effortlessly spans various musical genres, including opera, classical, pop and crossover.

In addition to his sold-out arena-sized concert events and record-breaking live-streams, Andrea has shared his talents at many major events including the Olympic Games, the World Cup, and Global Citizen. He has earned a Golden Globe, seven Classical BRITs and seven World Music Awards, plus a star on the Hollywood Walk of Fame.

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Exhibit Opening: Morse Museum
Oct
13

Exhibit Opening: Morse Museum

  • The Charles Hosmer Morse Museum of American Art (map)
  • Google Calendar ICS

Ilana Zaks performs outdoor violin duets at the Charles Hosmer Morse Museum of American Art, presenting a program that blends the beauty of art with the artistry of live music. This special performance is part of the Museum’s evening programming.

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Guest Artist Appearance – Eastern Florida State College
Oct
28

Guest Artist Appearance – Eastern Florida State College

Ilana Zaks will appear as a guest artist at Eastern Florida State College, working with student musicians during the Chamber Orchestra seminar. The session will include performance, interactive discussion, and insights into the artistic life of a professional violinist.

This engagement is part of Ilana’s ongoing commitment to education and community outreach, creating opportunities for students to experience music-making at the highest level while connecting performance with dialogue and mentorship.

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Young People’s Concert: Where in the World is the OPO?
Oct
29

Young People’s Concert: Where in the World is the OPO?

  • Dr. Phillips Center – Walt Disney Theater (map)
  • Google Calendar ICS

Program:

Lalo Schifrin/arr. Custer– Mission: Impossible Theme (excerpt)

Samuel Coleridge-Taylor– Dance from Othello Suite

José Elizondo– Teotlalli (Land of Gods) from Estampas Mexicanas

Jacques Offenbach– Can Can from Orpheus in the Underworld (with the Orlando Ballet)

Soon Hee Newbold– Warrior Legacy (excerpt)

Giacomo Puccini– Musetta’s Waltz from La Boheme (with Opera Orlando)

Laura Pettigrew– Dòchas

Carlos Gardel/arr. Garetto– Tango por Una Cabeza (excerpt) (with Orlando Ballet)

Wolfgang Amadeus Mozart– Der Vogelfanger bin Ich ja from The Magic Flute (excerpt) (with Opera Orlando)

Lin-Manuel Miranda/arr. Campbell– How Far I’ll Go from Moana

The Orlando Philharmonic Orchestra is in trouble!

The evil, anti-musical mastermind, Dr. Monotone wants to take over the world and put an end to music forever with his new weapon: The Monotonizer 3000. This powerful device is capable of transforming all the musical notes that ever existed into one, singular, ear-piercing, terrible-sounding honk. What would our world be with one note, one instrument, one culture, one language?

Our narrator, a brand new spy on her very first mission under Maestro Enterprises Inc., has T-minus 45 minutes to travel the world in search of Dr. Monotone’s secret lair. Grab your high tech gadgets and spy gear as we explore cultures and countries for clues. Only with the audience’s imaginations, problem-solving skills, and musical insight will we be able to prevent the end of diversity in music as we know it!

View Event →
Young People’s Concert: Where in the World is the OPO?
Nov
1

Young People’s Concert: Where in the World is the OPO?

  • Dr. Phillips Center – Walt Disney Theater (map)
  • Google Calendar ICS

Program:

Lalo Schifrin/arr. Custer– Mission: Impossible Theme (excerpt)

Samuel Coleridge-Taylor– Dance from Othello Suite

José Elizondo– Teotlalli (Land of Gods) from Estampas Mexicanas

Jacques Offenbach– Can Can from Orpheus in the Underworld (with the Orlando Ballet)

Soon Hee Newbold– Warrior Legacy (excerpt)

Giacomo Puccini– Musetta’s Waltz from La Boheme (with Opera Orlando)

Laura Pettigrew– Dòchas

Carlos Gardel/arr. Garetto– Tango por Una Cabeza (excerpt) (with Orlando Ballet)

Wolfgang Amadeus Mozart– Der Vogelfanger bin Ich ja from The Magic Flute (excerpt) (with Opera Orlando)

Lin-Manuel Miranda/arr. Campbell– How Far I’ll Go from Moana

The Orlando Philharmonic Orchestra is in trouble!

The evil, anti-musical mastermind, Dr. Monotone wants to take over the world and put an end to music forever with his new weapon: The Monotonizer 3000. This powerful device is capable of transforming all the musical notes that ever existed into one, singular, ear-piercing, terrible-sounding honk. What would our world be with one note, one instrument, one culture, one language?

Our narrator, a brand new spy on her very first mission under Maestro Enterprises Inc., has T-minus 45 minutes to travel the world in search of Dr. Monotone’s secret lair. Grab your high tech gadgets and spy gear as we explore cultures and countries for clues. Only with the audience’s imaginations, problem-solving skills, and musical insight will we be able to prevent the end of diversity in music as we know it!

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Disney’s Hocus Pocus in Concert Live to Film
Nov
1

Disney’s Hocus Pocus in Concert Live to Film

  • Dr. Phillips Center – Walt Disney Theater (map)
  • Google Calendar ICS

Join your Orlando Philharmonic Orchestra for this magical Halloween romp through Salem. Follow Max, Allison, and Dani as they match wits with the legendary Sanderson sisters – the film stars Bette Midler (Winifred), Sarah Jessica Parker (Sarah) and Kathy Najimy (Mary). Watch this bewitching film on the big screen in the Walt Disney Theater at Dr. Phillips Center as the Orlando Philharmonic performs the score live. 

Please note: This film is rated PG. Parental guidance suggested as some material may be inappropriate for children under the age of 8.

Presentation licensed by Disney Concerts.

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Gil Shaham Returns
Nov
8

Gil Shaham Returns

BrahmsVariations on a Theme of Joseph Haydn, op. 56a

Coleridge-TaylorViolin Concerto

Dylan HallScherzo for Orchestra (National Young Composers Challenge Winner)

HindemithMathis de maler

This is your chance to hear Gil Shaham playing Samuel Coleridge-Taylor’s Violin Concerto and Hindemith’s Mathis der Maler two exceptional works that combine musical beauty with historical depth, all brought to life by one of the world’s most renowned violinists. Coleridge-Taylor’s Violin Concerto is a passionate masterpiece that blends elements of African folk music with the classical tradition. Shaham’s virtuosic and expressive interpretation will bring out the work’s lyrical elegance, offering a fresh perspective on this often-overlooked gem of the violin repertoire. 

In the second half, Hindemith’s Mathis der Maler offers a dramatic and powerful portrayal of the inner struggles of the artist, encapsulating the emotional intensity of the 20th century. Hindemith’s brilliant orchestration and dramatic themes paint a vivid musical picture of the artist’s journey, and with its striking, modernistic approach, it captures the complexity of both the artist’s spirit and the turbulent times in which it was created. Together, these two works offer an evening of musical storytelling that spans cultures, historical events, and emotional experiences. Whether you’re captivated by Shaham’s unparalleled technique or moved by the emotional depth of Hindemith’s symphonic storytelling, this program promises an unforgettable and transformative musical experience.

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Gil Shaham Returns
Nov
9

Gil Shaham Returns

BrahmsVariations on a Theme of Joseph Haydn, op. 56a

Coleridge-TaylorViolin Concerto

Dylan HallScherzo for Orchestra (National Young Composers Challenge Winner)

HindemithMathis de maler

This is your chance to hear Gil Shaham playing Samuel Coleridge-Taylor’s Violin Concerto and Hindemith’s Mathis der Maler two exceptional works that combine musical beauty with historical depth, all brought to life by one of the world’s most renowned violinists. Coleridge-Taylor’s Violin Concerto is a passionate masterpiece that blends elements of African folk music with the classical tradition. Shaham’s virtuosic and expressive interpretation will bring out the work’s lyrical elegance, offering a fresh perspective on this often-overlooked gem of the violin repertoire. 

In the second half, Hindemith’s Mathis der Maler offers a dramatic and powerful portrayal of the inner struggles of the artist, encapsulating the emotional intensity of the 20th century. Hindemith’s brilliant orchestration and dramatic themes paint a vivid musical picture of the artist’s journey, and with its striking, modernistic approach, it captures the complexity of both the artist’s spirit and the turbulent times in which it was created. Together, these two works offer an evening of musical storytelling that spans cultures, historical events, and emotional experiences. Whether you’re captivated by Shaham’s unparalleled technique or moved by the emotional depth of Hindemith’s symphonic storytelling, this program promises an unforgettable and transformative musical experience.

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Ilana Zaks Performs
Jan
12

Ilana Zaks Performs

Program

Partita No. 3 in E Major, BWV 1006 — J.S. Bach Lera

Auerbach- T'filah

A Set of Chinese Folk Songs — Zhou Long

Sonata No. 4 for Solo Violin, Op. 27 — Eugène Ysaÿe

Nocturne — Kaija Saariaho

Recitative and Scherzo — Fritz Kreisler

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Debussy’s La Mer
Jan
24

Debussy’s La Mer

Osvaldo GolijovThe Creation (Special Preview)

MozartDon Giovanni Overture

DebussyLa Mer

Experience the magic of orchestral brilliance as Music Director Eric Jacobsen conducts Debussy’s La Mer and Mozart’s Don Giovanni Overture—two masterpieces that capture the power and depth of musical storytelling. Debussy’s La Mer immerses you in a breathtaking sonic seascape, where shimmering waves and dramatic swells evoke the ocean’s ever-changing moods. In contrast, Mozart’s electrifying Don Giovanni Overture sets the stage for intrigue and drama, its darkly thrilling energy and dynamic contrasts foreshadowing the legendary opera’s gripping tale. Together, these works promise an unforgettable journey through the beauty, mystery, and intensity of classical music.

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Debussy’s La Mer
Jan
25

Debussy’s La Mer

Osvaldo GolijovThe Creation (Special Preview)

MozartDon Giovanni Overture

DebussyLa Mer

Experience the magic of orchestral brilliance as Music Director Eric Jacobsen conducts Debussy’s La Mer and Mozart’s Don Giovanni Overture—two masterpieces that capture the power and depth of musical storytelling. Debussy’s La Mer immerses you in a breathtaking sonic seascape, where shimmering waves and dramatic swells evoke the ocean’s ever-changing moods. In contrast, Mozart’s electrifying Don Giovanni Overture sets the stage for intrigue and drama, its darkly thrilling energy and dynamic contrasts foreshadowing the legendary opera’s gripping tale. Together, these works promise an unforgettable journey through the beauty, mystery, and intensity of classical music.

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Musical Mosaics: Nature and Narrative Through the Violin
Jan
30

Musical Mosaics: Nature and Narrative Through the Violin

Program Description: In keeping with the Preservation Foundation’s dedication to cultural and environmental preservation, this solo violin recital offers a thoughtfully curated journey through traditional masterpieces and nature-inspired contemporary works. The program weaves together Baroque elegance, Romantic intensity, and evocative 21st-century soundscapes — engaging audiences with a diverse and immersive musical experience.

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Coudert Institute: Luncheon Lectures- Featured Performer
Feb
1

Coudert Institute: Luncheon Lectures- Featured Performer

A Ballet of Seasons

Experience a journey through the seasons with an evocative mix of baroque, contemporary, and tango-inspired works:

  • BachPartita No. 3 in E Major

  • Astor PiazzollaTango Ballet Suite

  • Jessie MontgomeryStrum

  • VivaldiWinter (featuring a solo performance with the Con Brio Quartet)

This program celebrates the vibrant contrasts of the year, from the elegant precision of Bach to the fiery rhythms of Piazzolla and the contemporary energy of Montgomery, culminating in Vivaldi’s timeless winter.

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Concert at West Boca Branch Library
Feb
2

Concert at West Boca Branch Library

Program

Partita No. 3 in E Major, BWV 1006 — J.S. Bach

Lera Auerbach- T'filah

A Set of Chinese Folk Songs — Zhou Long

Sonata No. 4 for Solo Violin, Op. 27 — Eugène Ysaÿe

Nocturne — Kaija Saariaho R

Recitative and Scherzo — Fritz Kreisler

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Concert at Glades Road Branch Library
Feb
2

Concert at Glades Road Branch Library

Program

Partita No. 3 in E Major, BWV 1006 — J.S. Bach

Lera Auerbach- T'filah

A Set of Chinese Folk Songs — Zhou Long

Sonata No. 4 for Solo Violin, Op. 27 — Eugène Ysaÿe

Nocturne — Kaija Saariaho R

Recitative and Scherzo — Fritz Kreisler

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Music in the Museum: Fragments and Resilience: A Violin Recital
Feb
14

Music in the Museum: Fragments and Resilience: A Violin Recital

PROGRAM:

  • Erwin Schulhoff — Sonata for Solo Violin

  • Fritz Kreisler — Recitative and Scherzo, Op. 6

  • Henryk Wieniawski — Caprice in A Minor, Op. 18 No. 4

  • Ernest Bloch — Suite No. 2 for Solo Violin

  • Lera Auerbach — T’filah (Prayer)

    This recital resonates with the Boca Raton Museum’s current exhibitions of Alphonse Mucha (1887–1930s) and Theresa Bernstein (1890–2002). Selections inspired by 19th- and early 20th-century Moravian and Czech music highlight connections between European folk traditions, Jewish musical heritage, and the immigrant experience, complementing the museum’s visual exploration of identity and cultural memory.

Fragments and Resilience invites audiences to experience music as a dialogue across time and place, celebrating the enduring human capacity for creative expression.

A museum tour follows this program.

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Fractured Landscapes: Memory, Color, and Sound
Feb
15

Fractured Landscapes: Memory, Color, and Sound

Fractured Landscapes: Memory, Color, and Sound is a curated recital that explores the dynamic interplay between sound and visual space through emotional terrain, digital distortion, and expressive color. Inspired by the upcoming exhibitions of visual artists Shara Hughes and Anastasia Samoylova (opening November 2025 – February 2026), this program reimagines how musical form can reflect painterly abstraction, layered memory, and architectural disorientation. Through solo violin, electronics, and violin–piano duos, the recital journeys from inward reflection to cinematic surrealism, collapsing classical and contemporary sound worlds into a sonic response to visual collage, vibrant brushwork, and surreal urban landscapes. Each piece will be introduced by violinist Ilana Zaks with visual references to the artists’ work, creating a cross-disciplinary dialogue between music and visual art.

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Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants
Feb
16

Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants

Explore the unique world of composer-violinists in this four-session course designed for music enthusiasts of all levels. Participants will discover how virtuoso violinists have shaped the repertoire not only as performers but also as composers, creating works that highlight technical brilliance, expressive depth, and personal artistry.

Through guided listening, discussion, and historical context, students will examine iconic figures from the Baroque through the 20th century, including violinist-composers who bridged cultures and musical traditions. The course emphasizes the creative process, exploring how these musicians balanced performance demands with composition, and how their works continue to influence contemporary music.

Students will leave with a deeper appreciation for the artistry of composer-violinists, understanding both the technical challenges and the emotional storytelling embedded in their music. With a class size of 40 participants, the sessions encourage interactive conversation, questions, and shared discoveries, making this an engaging and immersive exploration of the violin’s rich creative legacy.

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An Evening of Elegance: Yuja Wang with the Orlando Philharmonic Orchestra
Feb
17

An Evening of Elegance: Yuja Wang with the Orlando Philharmonic Orchestra

BARBER– Overture to “The School for Scandal”, Op. 5

BARBER– Adagio for Strings

BRAHMS– Hungarian Dance No. 5

COPLAND– Fanfare for the Common Man

BARBER– Piano Concerto, Op. 38

Yuja Wang returns to the Steinmetz Hall stage with your Orlando Philharmonic Orchestra for one night only! Join the Orlando Philharmonic Orchestra under the baton of Music Director Eric Jacobsen, as Yuja Wang performs the Barber Piano Concerto. This dramatic and enduring piece will showcase the full power of the piano under her fingertips.

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Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants (Copy)
Feb
23

Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants (Copy)

Explore the unique world of composer-violinists in this four-session course designed for music enthusiasts of all levels. Participants will discover how virtuoso violinists have shaped the repertoire not only as performers but also as composers, creating works that highlight technical brilliance, expressive depth, and personal artistry.

Through guided listening, discussion, and historical context, students will examine iconic figures from the Baroque through the 20th century, including violinist-composers who bridged cultures and musical traditions. The course emphasizes the creative process, exploring how these musicians balanced performance demands with composition, and how their works continue to influence contemporary music.

Students will leave with a deeper appreciation for the artistry of composer-violinists, understanding both the technical challenges and the emotional storytelling embedded in their music. With a class size of 40 participants, the sessions encourage interactive conversation, questions, and shared discoveries, making this an engaging and immersive exploration of the violin’s rich creative legacy.

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Brahms Symphony No. 1
Feb
28

Brahms Symphony No. 1

  • Dr. Phillips Center – Steinmetz Hall (map)
  • Google Calendar ICS

Program

Joan Tower Fanfare for the Uncommon Woman (1986)

Shostakovich Violin Concerto No. 1

Brahms Symphony No. 1

Proclaimed as “one of the finest conductors of her generation,” by The New York Times, renowned JoAnn Falletta takes the podium to lead a powerful program featuring Fanfare for the Uncommon Woman, Shostakovich’s Violin Concerto, and Brahms’ Symphony No. 1. Copland’s influence shines through in Joan Tower’s Fanfare for the Uncommon Woman, a bold and exhilarating tribute to trailblazing women. Concertmaster Rimma Bergeron-Langlois performs Shostakovich’s Violin Concerto, a true showcase of virtuosity and emotional depth. After intermission, Brahms’ Symphony No. 1 brings the night to a triumphant close, its grandeur and sweeping melodies cementing its place as one of the greatest symphonic achievements. Join us for an extraordinary evening with JoAnn Falletta at the helm with your Orlando Philharmonic Orchestra!

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Brahms Symphony No. 1
Mar
1

Brahms Symphony No. 1

Program

Joan Tower Fanfare for the Uncommon Woman (1986)

Shostakovich Violin Concerto No. 1

Brahms Symphony No. 1

Proclaimed as “one of the finest conductors of her generation,” by The New York Times, renowned JoAnn Falletta takes the podium to lead a powerful program featuring Fanfare for the Uncommon Woman, Shostakovich’s Violin Concerto, and Brahms’ Symphony No. 1. Copland’s influence shines through in Joan Tower’s Fanfare for the Uncommon Woman, a bold and exhilarating tribute to trailblazing women. Concertmaster Rimma Bergeron-Langlois performs Shostakovich’s Violin Concerto, a true showcase of virtuosity and emotional depth. After intermission, Brahms’ Symphony No. 1 brings the night to a triumphant close, its grandeur and sweeping melodies cementing its place as one of the greatest symphonic achievements. Join us for an extraordinary evening with JoAnn Falletta at the helm with your Orlando Philharmonic Orchestra!

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Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants
Mar
2

Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants

Explore the unique world of composer-violinists in this four-session course designed for music enthusiasts of all levels. Participants will discover how virtuoso violinists have shaped the repertoire not only as performers but also as composers, creating works that highlight technical brilliance, expressive depth, and personal artistry.

Through guided listening, discussion, and historical context, students will examine iconic figures from the Baroque through the 20th century, including violinist-composers who bridged cultures and musical traditions. The course emphasizes the creative process, exploring how these musicians balanced performance demands with composition, and how their works continue to influence contemporary music.

Students will leave with a deeper appreciation for the artistry of composer-violinists, understanding both the technical challenges and the emotional storytelling embedded in their music. With a class size of 40 participants, the sessions encourage interactive conversation, questions, and shared discoveries, making this an engaging and immersive exploration of the violin’s rich creative legacy.

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CAMPGround26
Mar
5
to Mar 7

CAMPGround26

  • University of South Florida (Tampa, FL) (map)
  • Google Calendar ICS

Annual international new music festival, CAMPGround26, happens March 5-7 2026 this year! This three-day festival is a hub of new music and collaboration, showcasing 20 to 25 compositions, including world premieres. https://www.contemporaryartmusicproject.org/camp-season

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Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants
Mar
9

Performers as Creators: The Composer-Violinist Legacy: 4-Session Course | Class Size: 40 Participants

Explore the unique world of composer-violinists in this four-session course designed for music enthusiasts of all levels. Participants will discover how virtuoso violinists have shaped the repertoire not only as performers but also as composers, creating works that highlight technical brilliance, expressive depth, and personal artistry.

Through guided listening, discussion, and historical context, students will examine iconic figures from the Baroque through the 20th century, including violinist-composers who bridged cultures and musical traditions. The course emphasizes the creative process, exploring how these musicians balanced performance demands with composition, and how their works continue to influence contemporary music.

Students will leave with a deeper appreciation for the artistry of composer-violinists, understanding both the technical challenges and the emotional storytelling embedded in their music. With a class size of 40 participants, the sessions encourage interactive conversation, questions, and shared discoveries, making this an engaging and immersive exploration of the violin’s rich creative legacy.

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Silenced Voices
Mar
19

Silenced Voices

Program: (No intermission) Lera Auerbach – T’filah (Prayer) Gabriela Lena Frank – Khazn’s Recitative Fritz Kreisler – Recitative and Scherzo Ernest Bloch – Suite No. 2 Dick Kattenburg – Rhapsody No. 1 Darius Milhaud – Sonatine Pastorale (solo violin) Erwin Schulhoff – Sonata for Solo Violin

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Violinist-Composers: Exploring Music from the  Player’s Pen
Apr
6

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

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Gallery Talk with Ilana Zaks
Apr
10

Gallery Talk with Ilana Zaks

  • The Ashley Gibson Barnett Museum of Art (The AGB) at Florida Southern College (map)
  • Google Calendar ICS

The Medici Dynasty: Renaissance in Florence (legacies of Stradivari, Guarneri/ all Baroque music of Biber, Bach, Telemann, Hildegard von Bingen) Hildegard von Bingen – O vis aeternitatis (arr. for solo violin) Heinrich Ignaz Franz Biber – Passacaglia in G Minor from the Rosary Sonatas Johann Sebastian Bach – Adagio and Fuga from Sonata No. 1 in G Minor, BWV 1001 Georg Philipp Telemann – Fantasia No. 7 in E-flat Major, TWV 40:20

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Violinist-Composers: Exploring Music from the Player’s Pen
Apr
13

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

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Violinist-Composers: Exploring Music from the Player’s Pen
Apr
20

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

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Fantasies of the Voice and Violin
Apr
20

Fantasies of the Voice and Violin

Program: ● Gershwin/Heifetz – Selections from Porgy and Bess ● D. Alard – Fantasie sur La Traviata, Op. 38 ● Massenet – Méditation from Thaïs ● Bernstein Penaforte West Side Story Suite ● Rosenblatt – Carmen Fantasy Kurt Weill -- 7 pieces from the 3 Penny Opera

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Silenced Voices: Violin and Piano Works
Apr
23

Silenced Voices: Violin and Piano Works

Ilana Zaks, violin; Eunmi Ko, Piano Program: Erwin Schulhoff – Suite for Violin and Piano, Op. 1 Pavel Haas – Suite for Oboe and Piano, Op. 17 I. Furioso Robert Dauber – Serenade Franz Schreker – Excerpts from Violin Sonata Paul Ben-Haim – Berceuse Sfaradite Ernest Bloch – Nigun from Baal Shem Suite Mieczysław Weinberg – Rhapsody on Moldavian Themes, Op. 47

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Violinist-Composers: Exploring Music from the Player’s Pen
Apr
27

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

View Event →
Violinist-Composers: Exploring Music from the Player’s Pen
May
4

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

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Beethoven Symphony No. 9
May
9

Beethoven Symphony No. 9

Program

James Lee III The Enduring Crucible (World Premiere)

Beethoven Symphony No. 9

Few pieces transcend the emotional and raw power like Beethoven’s Symphony No. 9, a masterpiece that has inspired audiences for generations. From its stirring opening to the triumphant Ode to Joy, this iconic symphony is a true celebration of unity, hope, and the indomitable human spirit. With its soaring choral finale and unforgettable melodies, Beethoven’s Ninth is more than just a concert—it’s an emotional and uplifting journey that speaks to the soul.

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Beethoven Symphony No. 9
May
10

Beethoven Symphony No. 9

Program

James Lee III The Enduring Crucible (World Premiere)

Beethoven Symphony No. 9

Few pieces transcend the emotional and raw power like Beethoven’s Symphony No. 9, a masterpiece that has inspired audiences for generations. From its stirring opening to the triumphant Ode to Joy, this iconic symphony is a true celebration of unity, hope, and the indomitable human spirit. With its soaring choral finale and unforgettable melodies, Beethoven’s Ninth is more than just a concert—it’s an emotional and uplifting journey that speaks to the soul.

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Violinist-Composers: Exploring Music from the Player’s Pen
May
11

Violinist-Composers: Exploring Music from the Player’s Pen

  • Osher Online, in collaboration with Northwestern University (map)
  • Google Calendar ICS

Violinist-Composers: Exploring Music from the Player’s Pen

This engaging 6-week course celebrates violinists who didn’t just perform music—they composed it. These creators tailored their music to match their expressive and technical strengths, often transforming the violin repertoire. From Baroque masters like Vivaldi, Corelli, and Tartini to modern innovators like Jessie Montgomery and Daniel Bernard Roumain, we’ll explore how these figures shaped music history by merging performance with composition. Each session blends historical context, multimedia examples, and rich listening selections to deepen appreciation for these artist-composers. Ideal for music lovers, curious listeners, and performers alike, this course invites you to hear violin music from the inside out.

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Performers as Creators: The Composer-Violinist Legacy: @University of Washington
Jun
5

Performers as Creators: The Composer-Violinist Legacy: @University of Washington

Join violinist Ilana Zaks for an engaging one-hour session exploring the unique world of composer-violinists—musicians who not only perform but also create their own works. Through live performance, storytelling, and historical context, Ilana will illuminate the artistry, challenges, and inspirations behind some of the violin’s most celebrated repertoire.

Participants will gain insight into how composers who were also performers shaped the music of their time, and how these works continue to inspire audiences and musicians today. This session is perfect for music lovers, performers, and anyone curious about the intersection of creativity and virtuosity on the violin.

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Featured Guest on Podcast
Sep
29

Featured Guest on Podcast

https://www.modernromanticmagazine.com/

Ilana Zaks will be a guest on The Modern Romantic Podcast on Monday, September 29, 2025 at 8 pm EST / 5 pm PST. She will join the hosts for a live conversation about music, creativity, and her artistic journey.

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OPO Opening Night Classics Series
Sep
28

OPO Opening Night Classics Series

Eric Jacobsen, Conductor
Sara Davis Buechner, Piano

Program Highlights:

  • Rossini – William Tell Overture

  • Grieg – Piano Concerto

  • Prokofiev – Symphony No. 5

Celebrate the start of the 2025–26 season with an evening of iconic symphonic masterpieces. From the soaring energy of Rossini’s William Tell Overture to the virtuosic brilliance of Grieg’s Piano Concerto with Sara Davis Buechner, and the dramatic power of Prokofiev’s Symphony No. 5, this concert promises unforgettable music and emotion for every audience member.

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OPO Opening Night Classics Series
Sep
27

OPO Opening Night Classics Series

  • Dr. Phillips Center – Steinmetz Hall (map)
  • Google Calendar ICS

Eric Jacobsen, Conductor
Sara Davis Buechner, Piano

Program Highlights:

  • Rossini – William Tell Overture

  • Grieg – Piano Concerto

  • Prokofiev – Symphony No. 5

Celebrate the start of the 2025–26 season with an evening of iconic symphonic masterpieces. From the soaring energy of Rossini’s William Tell Overture to the virtuosic brilliance of Grieg’s Piano Concerto with Sara Davis Buechner, and the dramatic power of Prokofiev’s Symphony No. 5, this concert promises unforgettable music and emotion for every audience member.

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Music Composed by Violinists for Violinists
Sep
8

Music Composed by Violinists for Violinists

Johann Sebastian Bach – Partita No. 3 in E Major, BWV 1006 Prelude / Loure / Gavotte en Rondeau / Minuet I & II / Bourrée / Gigue Eugène Ysaÿe – Sonata No. 4 in E Minor Allemande / Sarabande / Finale: Allegro non troppo Fritz Kreisler – Recitative and Scherzo, Op. 6 Henryk Wieniawski – Caprice No. 4 in A Minor, Op. 18 Ernest Bloch – Suite No. 2 for Solo Violin Energico / Moderato / Andante / Allegro molto (Dedicated to Yehudi Menuhin)

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Jul
5

Solo Performance at the Falmouth Art Center

Ilana Zaks returns to the Art Center! Saturday, July 5 at 4pm on our back porch (weather permitting) or in our gallery.

Pay what you will – Treat your house guests to this wonderful concert!

Spend the afternoon enjoying this live performance.

Repertoire:

  • J.S. Bach: Sonata No. 1 in G minor, BWV 1001
    Adagio/Fuga/Siciliano/Presto

  • Wieniawski: Caprices Nos. 3, 4, and 5

  • Eugène Ysaÿe: Sonata No. 4 in E minor (dedicated to Kreisler)
    Allemande/Sarabande/Allegro non troppo

  • Fritz Kreisler: Recitativo and Scherzo

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Jul
2

Solo concert at Newton Public Library

This concert features a blend of works that explore both the virtuosic and expressive qualities of the violin. From the deep spirituality of Lera Auerbach’s T'filah to the baroque elegance of Bach’s Sonata, the program spans diverse styles and centuries. Including pieces by Bloch, Kreisler, and Paganini, this concert highlights both the power and beauty of the violin in solo performance.

  • Johann Sebastian Bach: Sonata for Solo Violin No. 1 in G minor, BWV 1001

    • Adagio

    • Fuga

    • Siciliano

    • Presto

  • Lera Auerbach: T'filah

  • Niccolò Paganini: Caprice No. 24 in A minor, Op. 1

  • Ernest Bloch: Suite for Solo Violin No. 2

    • I. Energico, deciso - attacca

    • II. Moderato - attacca

    • III. Andante - attacca

    • IV. Allegro molto

  • Fritz Kreisler: Recitative and Scherzo

This program is in partnership with the City of Newton's Older Adult Services Department. This program is generously sponsored by the Jayne Colino Fund at the Senior Citizens Fund of Newton.

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May
6

Lunch + Learn: Violin Composers Inspired by Jewish Roots

Join internationally renowned violinist Ilana Zaks for an inspiring musical lunch + learn, delving into how classical composers have drawn from Jewish heritage to create music of profound emotion, innovation, and cultural resonance.

The program opens with Lera Auerbach’s T’filah (Prayer)—a deeply introspective work that captures the essence of spiritual longing through minimalist textures and expressive depth. Auerbach, a Russian-Jewish composer and poet, weaves together modern compositional language with timeless themes of faith, memory, and identity.

The following is Ernest Bloch’s Sonata No. 1, a powerful and emotionally charged piece that blends dramatic intensity with rich harmonic writing. Bloch often infused his music with Jewish liturgical and folk motifs, creating a uniquely expressive voice within the Western classical tradition.

Fritz Kreisler’s Recitative and Scherzo offers a shift in tone, showcasing Kreisler’s signature warmth and virtuosity. While not overtly centered on Jewish themes, his lyrical phrasing and folk-inspired language reflect a deeply personal artistic sensibility.

Next is Gabriela Lena Frank’s Elu D’vorim, a dynamic work that draws from Latin American folk traditions and Jewish texts. Frank’s multicultural background informs her vibrant compositional style, merging rhythmic vitality with spiritual reflection.

The program concludes with Erwin Schulhoff’s Sonata, a bold and compelling piece marked by sharp contrasts, jazz influences, and modernist experimentation. Schulhoff, a Jewish composer silenced by the Holocaust, left behind a body of work that speaks to resilience, playfulness, and radical creativity.

Together, these works illuminate the many ways Jewish identity, heritage, and history have inspired some of the most heartfelt and innovative music written for the violin.

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